Anywhere I Lay My Head

05/20/2008 | Rhino / Wea 

Songs from Anywhere I Lay My Head

Videos from Anywhere I Lay My Head

Review

Anywhere I Lay My Head finds mega-star Scarlett Johansson interpreting 10 Tom Waits songs. Now, as strange as that sounds, it works very well. The star of Lost In Translation and The Nanny Diaries has already exhibited an on-screen versatility that's enthralled both indie film snobs and mainstream moviegoers alike. Adding to her talents, she's got a diverse voice that'll likely span a gamut of music fans as well. Her dreamy baritone injects a soft sensuality into Tom Waits' dark, intelligent lyrics. Her re-recording of these songs is more of a "Re-envisioning," and the original poignancy definitely doesn't get lost in translation, either. From the strange, weighty organs opener "Fawn" to the shaky bliss of "Falling Down," Scarlett nails the strange dejection that Waits captured oh so well. "Anywhere I Lay My Head" bears an especially ethereal quality, as it segues from the melodic crescendo of clean instrumentation to her subtle vocal delivery on the chorus.

The one original track, "Song for Jo," starts with a faintly strummed acoustic guitar, and Scarlett's voice barely exceeds a whisper. It's folky and forlorn in some ways, but Scarlett gets taps into something. On this original track, her voice ebbs and flows naturally and conjures strange summertime imagery. She tells a weird little tale and ultimately draws even more from Waits on her own song. It's definitely the album's standout. It's also a very promising vignette. The Waits covers themselves all possess various merits, and Scarlett delivers them with reverence. Neverthless, it'll be great to see her take the reigns on her own album. If anything's disappointing, it's that Scarlett doesn't bust out more originals. After the closing strains of "Who Are You," you can't help but want another trip with Scarlett to this "Ghost World."

—Rick Florino
05.29.08

User Review

  • Jared T. Cadogan

    posted on Sun, 01 Jun 2008 20:38:07

    Not again.

    When I heard that Scarlett Johansson was releasing a CD my initial reaction was literally to go: "Oh God." We have seen countless actors and actresses try to make it big by turning their acting careers to music which never really seems to work and ends up being just a publicity stunt to gain a bigger following after blowing a few million dollars just to show their versatility. Some of these actresses that had some jaunting attempts at music include Brittany Murphy, Maggie Gyllenhaal, Jennifer Garner, Queen Latifah, etc. This however is the worst example I have seen so far. Soon upon playing the songs on this CD I found that Scarlett has discovered an entirely new vocal style altogether which doesn't involve singing at all! Its a mild mumbling to mellow music that might have once been classified as "folk". Although the official genre listed in my iTues window is "other", that doesn't quite come close. Some will be distracted by these are Tom Waits covers, which may perhaps attract the most devoted of fans, however be forewarned: this is a step in the wrong direction for a Waits fan as far as I'm concerned. Although she is the queen of some lesser known indie movies, and some better known such as Lost in Translation and Girl with the Pearl Earring, there is a serious gap in talent. This album was not worth the money, and most certainly not worth repeated listening.

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Credits

  • Sean Antanaitis
  • Organ, Synthesizer, Banjo, Guitar, Tambourine, Bells, Bass Pedals, Bowls, Wind Chimes, Guitorgan, Music Box, Organ (Pump), Vibraphone, Kalimba, Piano (Electric), Piano
  • David Andrew Sitek
  • Synthesizer, Guitar (Acoustic), Drums, Photography, Mixing, Drum Machine, Sampling, Engineer, Producer, Kalimba, Vocals, Guitar
  • Jaleel Bunton
  • Synthesizer, Guitar (Acoustic), Bass, Slide Guitar, Piano (Electric)

Notes

Recorded at Dockside Studio in Louisiana’s Cajun country, Scarlett Johansson’s debut album ANYWHERE I LAY MY HEAD features her distinctive vocal interpretations of ten songs by legendary singer-songwriter Tom Waits. It also introduces one original track, “Song For Jo,” which she co-wrote with David Andrew Sitek (TV on the Radio), who produced the album and lent his instrumental skills throughout. The title track comes from Waits’ 1985 opus Rain Dogs, and Johansson’s set also pulls cuts from Alice, Swordfishtrombones, Big Time, Orphans: Brawlers, Bawlers & Bastards, Real Gone, Small Change and Bone Machine. David Bowie adds backing vocals on two tracks, “Falling Down” and “Fannin Street,” and the disc also features the talents of Yeah Yeah Yeahs guitarist Nick Zinner and multi-instrumentalist Sean Antanaitis from Celebration, among others.



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