Jason Pierce has never shied away from changes in pursuit of his artistic goals. He traded Spacemen 3's white-hot intensity for the gentler ebb and flow of Spiritualized, and took things a step further by firing the rest of the band after their greatest success, Ladies and Gentlemen We Are Floating in Space. Let It Come Down is another step in Pierce's difficult, single-minded creative path. To craft the album's epic sound, Pierce sang the melodies into a Dictaphone, translated them to piano, and then transposed them into orchestral arrangements. This painstaking process results in an album that is equal parts intimate confessions and ambitious soundscapes, yet, despite the lineup changes and its lengthy inception, Let It Come Down doesn't sound radically different from Spiritualized's previous albums, proving for once and all that Pierce is Spiritualized and Spiritualized is Pierce. Instead, it feels like a natural progression from the densely orchestrated space rock of the first three Spiritualized albums, especially on the bleak, bluesy "Out of Sight" and the plaintive "Don't Just Do Something." Sweeping, stratospheric string and brass sections dominate the album, with over 100 musicians surrounding Pierce's frail, desolate vocals on some songs. Indeed, the lushness of the arrangements sometimes overpowers the album's relatively straightforward songwriting, particularly on tracks like "Anything More." While country and gospel influences bring the beautiful "Do It All Over Again" and "Won't Get to Heaven (The State I'm In)" back down to earth, Let It Come Down's elaborate sound doesn't always make its songs particularly accessible. When Pierce dares to keep things relatively simple, as on the insistent, yearning "I Didn't Mean to Hurt You" and the finale, "Lord Can You Hear Me," the emotional impact is stunning; the rockers "On Fire" and "The Twelve Steps" also cut the album's scope down to size in a direct, gripping way. Let It Come Down is another masterfully made Spiritualized album, but its very ambitions sometimes overwhelm it. ~ Heather Phares, All Music Guide
All Music Guide Review
Track Listing
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Credits
- Ann Morfee
- Violin
- Steve Morris
- Violin
- Kate Musker
- Viola
- Johnathan Rees
- Violin
- Colin Sheen
- Trombone
- Cathy Thompson
- Violin
- John Coxon
- Producer
- Andrew Gray
- Tenor (Vocal)
- Cor Anglais
- Double Bass
- Lorraine Francis
- Assistant Engineer
- Mary Scully
- Double Bass
- Helen Tunstall
- Harp
- Tony Pleeth
- Cello
- Andy Saunders
- Assistant Engineer
- Patrick Kiernan
- Violin
- Jackie Shave
- Violin
- Bruce White
- Viola
- Martin Owen
- French Horn
- Jason Pierce
- Banjo, Guitar, Harmonica, Mixing, Editing, Producer, Vocals, Arranger, Piano
- Dave Heath
- Flute
- Mads Bjerke
- Engineer, Editing, Mixing
- David Fuest
- Clarinet (Bass)
- David Daniels
- Cello
- Andrew Crowley
- Trumpet
- Peter Davies
- Trombone
- Cathy Giles
- Cello
- Raymond M. Dickaty
- Sax (Baritone), Sax (Soprano)
- Philip Dukes
- Viola
- Paul Gardham
- French Horn
- Mike Hext
- Trombone
- Ian Humphries
- Violin
- Gavin McNaughton
- Bassoon
- Pery Montague
- Violin
- Anthony Pike
- Clarinet
- Michael Dore
- Bass (Vocal)
- Guy Massey
- Engineer
- David Temple
- Clarinet, Saxophone
- Nigel Short
- Counter Tenor (Vocal)
- Daniel Thomas
- Choir Director
- Jane Marshall
- Double Bass
- Everton Nelson
- Violin
- Mimi Parker
- Vocals
- Rachelle Weston
- Alto (Vocals)
- Miffy Hirsch
- Violin
- Nigel Black
- French Horn
- Jonathan Tunnell
- Cello
- Ricky Graham
- Assistant Engineer
- Jeremy Morris
- Violin
- Sonia Slaney
- Violin
- Hugh Seenan
- French Horn
- Thighpaulsandra
- Guitar, Piano, Fender Rhodes, Kurzweil K-2000, Mini Moog, Organ (Hammond)
- Ben Edwards
- Trumpet
- Roger Argente
- Trombone (Bass)
- Dai Emanuel
- Violin
- Richard Addison
- Clarinet
- Chris Cowie
- Oboe
- Danny Porter
- Assistant Engineer
- Kevin Bales
- Drums
- Pete Whyman
- Clarinet, Saxophone
- Spiritualized
- Main Performer
- James Adams
- Trombone
- Paul Archibald
- Trumpet
- Roger Brenner
- Trombone
- Heather Cairncross
- Alto (Vocals)
- Roger Chase
- Viola
- Andrew Findon
- Flute
- Graham Lee
- Trombone
- The London Community Gospel Choir
- Vocals (Background)
- Bob Ludwig
- Mastering
- Chris Clark
- Piano, Assistant Engineer




















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